Differences between Northern Renaissance Art and Italian Renaissance Art Essay

?There are many oddments between Union metempsychosis fine art and Italian renaissance art. They are quite different. firearm Italian renaissance art tended to show the body in an wondrous way, Union renaissance art hid the body. The art was very realistic, yet blanket hid the body in a medieval fashion. That makes superstar major difference between the two Italian was unequivocal and Northern was medieval. Northern art had an immense amount of symbols in it. A good example of Northern art is the Merode Altar humans, painted by Robert Campin in 1425-1428.In this piece, there is an flimsy amount of symbolism, it is painted in a medieval style (drapery hides the body, etcetera ), theres a tremendous amount of detail spue into it, and perhaps one of the most defining features of it is that it has got the jockstrap in it. Since it was licensed by someone besides the church, they wanted to be put in the piece of art that they paid to be painted. The patrons of the altarpiec e appear on the far left side, as if they were part of the scene itself.Now we beget Italian renaissance art. Some defining characteristics of it are that it is very classical (drapery tends to cling to the body, revealing the perfection of all the i upsurgeized bodies), they used stool of linear perspective (whereas Northern art was more medieval, so they didnt much care for that), they liked using illusions in their take a shit, and they didnt view as patrons in their work because the church usually commissioned all the art. Botticellis Birth of Venus is a good example of Italian renaissance art.It not only has tons of drapery clinging to the females bodies, but it also has a nude person, common in classical art. This piece shows no particular patron, and so we can assume that it was commissioned by the church. One work of art commissioned by a patron is the Merode Altarpiece. Since this is a triptych, it has three panels. The patrons, that are identifiable as bourgeoisie from close Mechelen, appear in the left panel (the female donor and the retainer in that panel appear to have been added later by a different painter once it was completed).Since the patrons wanted to be in it, it had to be modified from the original. A peculiar example of patrons being in a work of Italian renaissance art is the Adoration of the Magi, painted by Sandro Botticelli in 1476, and commissioned by the Medici family. The Medici family was a pretty huge deal back then. Therefore, if they wanted to be in a painting, they would be in a painting. Botticelli painted many members of this high-class family in this work of Italian renaissance art.Yet another example of patrons in a work of art is Hugo van der Goess Portinari Altarpiece, painted in 1475. It is another triptych, so it is divided in three. The difference between this one and the earlier one is that instead of having the patrons on just one side, they are on twain sides of the piece, as if they were watching it. It is very medieval. The patrons in this seem to almost be a part of what is happening, but they dont seem connected.