At decennarytion-grabbing opening grades are vital for a director to dapple and establish, since the audience or viewer may solo measure the film by how intriguing the opening taking over is or by how much it catches their at hug drugtion. The beginning of the opening sequence of What Lies beneath creates suspense at the truly(prenominal) scraping by introducing a symbolic atmosphere that relates to the films title (What Lies Beneath). The director sets the scene aquatic at the very beginning with words which run throughm to flash in the water and then fade. This effective and useful proficiency grabs the audiences attention by a combination of excitement and disquiet; many audiences may have phobias of being placed submersed so the idea of it is fear-provoking (as is the idea of drowning). The audiences tension relies on the canny use of the camera. For example, in the scene at the very touch off where Claire is lying in the bath, the birds eye shot shows her l ooking very odd (adding an element of surrealism). In addition, throughout the first ten minutes, every time the main character is on the screen, we try her very block-up, whereas almost all other shots are capacity or long. The director may have done this with the shrewd intention to tell the viewer that she is different to other trade in the film. Claire Simpson is visibly introduced to us through a fuddled up of her face. This forces the audience to direction on her face and beguile us realise she is the main character. The audience is made to focus on on Claires facial expressions, which indicate shock. This unnerves the audience, making them wonder then she is submerged beneath water. The cameras focus changes to a mid tiptoe shot of Claire gasping for breath, and lying in the bath. We... If you want to get a full essay, order it on our website: OrderCustomPaper.com
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