Monday, September 23, 2013

The Dynamics in Alfred Hitchcock's Rear Window and Psycho

From the creative mind of Alfred Hitchcock came many a classic film, only two that stand out are the thrillers Rear window and psychotic. These films capture the viewer and create an atmosphere so laughable and fresh that you feel as though you personally recognise the characters; sometimes you even feel like youre becoming the characters. Although the films eff many similarities they some(prenominal) have completely different moods and themes. closely im carriageantly the films can still hold up against todays improbably high-bud purport Hollywood movies. A main theme in Rear window is voyeurism, exhibited by Jimmy Stewarts character Jeff Jeffries. The same theme is at any rate present in psycho with Anthony Perkins character Norman Bates, but, opposed Rear Window, Psycho doesnt use it as the backbone of the plot. Reasons for the port differ in the films as well. Jeff Jeffries is confined in his apartment because of his broken leg so his voyeurism is a re sult of his ennui and fueled by his curiosity. Norman Bates has more of an obsession and his modality is attributed to his character and not his circumstances. James Griffith put it best in his Film Comment article Psycho: Not guilty as Charged when he said of Psycho, ...
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the film disturbs us not because of what it allows us secretly to watch, but because it makes us gift the terror of being secretly watched(Griffith 76). According to Cyndy Hendershot in her daybook of universal Film and Television article The Cold warfare revulsion Film: Taboo and Transgression in The elusive Seed, The Fly, and Psycho, Psycho rep resents Hitchcocks near explicit connection! to the horror writing style and his most blatant attempt to use transgression as both content in a film and as a marketing strategy(Hendershot 20). Although we can regard Psycho as a film of the horror genre... If you want to get a full essay, order it on our website: OrderCustomPaper.com

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